• 1950 – PLAKA

  • 1972 – "ARCOBALENO", Valenza, Italy (solo)

  • 1975 – GRAND HOTEL RODOS (solo)

  • 1977 – "EREVNA" Art Gallery (group)

  • 1980 – "PARNASSOS"

  • 1980 – Festivals of Literature & Art, Lefkada (group)

  • 1982 – K. Palamas Art Gallery, Piraeus (solo)

  • 1982 – Ioannina – Retrospective

  • 1983 – Painting Festival – Pleven, Bulgaria

  • 1983 – Koryschades (solo)

  • 1983 – Hellenic Center for Art and Culture (solo)

  • 1983 – F.O.Y. (Progressive Association of Hymettus) (solo)

  • 1984 – Nea Smyrni (group)

  • 1984 – Sfakiotes – "Foteinos" Cultural Association (solo)

  • 1984 – Municipal Theater of Kallithea (solo)

  • 1984 – Cultural Center of Athens – Association of Iconographers

  • 1985 – DELFOI BEACH, Galaxidi (solo)

  • 1985 – Cultural Center of Itea

  • 1985 – Cultural Center of Galaxidi

  • 1985 – Cultural Center of Kallithea (solo)

  • 1986 – 4th Panhellenic Exhibition of Religious Arts

  • 1986 – Cultural Center of Ilioupoli (solo)

  • 1986 – Cultural Center of Lefkada

  • 1986 – Ionian Cultural Associations of Patras (Library of Patras) (group)

  • 1993 – Visual Arts Center "AENAON" (group)

  • 1997 – Inauguration of the National Resistance Monument, Nea Smyrni (National Foundation Building)

  • 1997 – "Nyrikeia" – Cultural Center of Karyotes

  • 1999 – Ionian Painting Exhibition – Art Gallery of Lefkada

  • 2000 – Exhibition "WOMAN" – Cultural Center of Lefkada

  • 2001 – Festivals of Literature & Art, Lefkada (group)

  • 2001 – Art Gallery "Theodoros Stamos", Lefkada

  • 2007 – Cultural Center of Sfakiotes

“It would be difficult to classify Karfakis’s iconography within one of the three established styles of Byzantine art, for his personal spiritual elevation enabled him, through the morphological elements he absorbed from that tradition, to create — without resorting to risky innovations — an individual artistic offering that resonates deeply with the common religious sentiment.

Karfakis’s abilities in achieving the perfect rendering of age in his icons are truly boundless, to the point that they can deceive even the most specialized and discerning eye.”
— Vasos Kountourides, Art Historian

Karfakis with members of the Parliament during his exhibition opening at Hymettus, 1983